His music has long been a barometer reflecting both our nation’s challenges and the resilience of the human spirit in such anthems as A Country Boy Can Survive. And he managed to perfectly capture the country’s sense of fun and competitive drive every Monday night as he looked into the cameras before ABC’s Monday Night Football and roared Are You ready for Some Football? Those words not only won him a legion of new fans during the last decade, they also earned Williams the distinction of being the first country artist, to ever to win an Emmy, a feat he repeated 1990 through 1993.
Randall Hank was born May 26, 1949, one month before his legendary father made his landmark first appearance on the Grand Ole Opry. His father nicknamed him Bocephus after the ventriloquist dummy used by country comedian Rod Brasfield. He was only three when his father died in 1952.
He made his debut on the Opry at 11 and by the time he was 14 was in the studio recording his debut album. His rendition of Long Gone Lonesome Blues became a hit and all eyes were on the artist,, constantly looking for shades of his father’s genius. It was a complex emotional vortex in which the young man was forced to develop, but he did so head on and on his own terms. Who can forget the mournful honesty in that young voice when he crooned ‘It’s hard standing in the shadow of a very famous man? That song displayed the honesty, integrity and strength mixed with vulnerability that would become cornerstones of Williams’ artist,ry.
What followed in the years since has been a whirlwind ride during which the younger Williams successfully emerged from his famous father’s shadow, forging a career of his own. He managed to create music that resonated with the same gut-wrenching emotion that marked his father’s best work, yet beyond that he left little room for comparison as he blazed a trail with such classic hits as Whiskey Bent and Hell Bound, All My Rowdy Friends, Old Habits and Born to Boogie.
During a recent show at the Country Music Hall of Fame during the annual Country Radio Seminar, Williams mesmerized the industry crowd with his legendary hits, witty stage banter, and unparalled stage presence. Alone with his guitar, then later moving over the piano to share some reminiscences as well as his boogie moves, Williams defined star power for the bounty of artists in the audience who had cut their teeth on his music and legend. Rhett Akins, Tracy Byrd, Mark Wills, Kix Brooks, and Collin Raye were among those there to pay homage to Bocephus.
He served up a potent arsenal of hit songs and in a moment that will likely become Music Row folklore, he offered up some personal observation on life. Somehow one got the impression that enough time, a good shot of whiskey and a little bit of faith could just about cure anything. Hank’s been there. He knows, and he’s taken us all along for the ride.
